“What’s your favorite fruit?”

Without needing to think, I answer, “Peaches. “

But peaches are a sometime thing. Some years good, others frustrating. So when they are good, I rejoice all over again.

Sometimes peaches ripen almost before I’m ready. Then I make my favorite compote: skinned, sliced peaches, a slosh of orange juice, and if needed, some confectioner’s sugar, perhaps a squeeze of lemon. Stir and chill. Enjoy at breakfast or on vanilla ice cream.

Many days at lunch, my husband and I share a peach. Once I’ve slurped my half, I squirm away from the table trying to touch nothing, on my way to the sink to wash my slushy hands. For some time after, I sniff peach flesh on my hand. My palms and my fingertips are soft as though I’d lotioned them.

Dealing with globes of ripe fruit, I come upon the flesh beneath the skin—oh, those blushy peach cheeks! Renoir’s brush at work? But then, he’s already decorated every slice, that scarlet fringe revealed when my knife liberates the flesh from the crenelated pit.

Although he wrote of plums, I keep thinking of William Carlos Williams’ poem, This is just to say. It reads as though Williams had written spontaneously on a slip of paper, perhaps left on the counter as an explanation to the cook or housewife who’d prepared the plums.

I think his feelings were much like mine: the joy of finding beloved ripe fruit, its sweetness and utter loveliness.

But I go Williams one better; I hear his voice while partaking of the complex, layered pleasures of handling and preparing peaches.

And I’ve not even mentioned how it feels to hold a soft sueded sphere in your hand when you first pick up a peach . . .  the fur, the perfectly tailored suede covering . . .

Pin It on Pinterest

Share This